Mission Statement

The Push Pops are a radical, transnational queer feminist art collective. Geared toward engendering ‘Embodied Feminism,’ Go! Push Pops employs the female body – that which is bound to a cross-cultural language of desire, signification and power – in tactical, ideological strategy. Go! Push Pops utilize gesture, exclamation and popular idiom to embody a new age discursive physicality interfacing with the ancient archetypal realm. Neo-Dada, Fluxist and Feminist, their performance work posits the body as a danger to the operation of reason and patriarchal economy of lack. A wild leap, an elusive slogan, a paroxysm of the flesh – The Push Pops reinscribe the body through participatory ritual, spontaneous performance and interactive multi-media installation.


Thursday, March 15, 2012

The Push Pops will be performing in collaboration with Ivy Castellanos tonite March 16th at 8.30pm 
if you are around bushwick! 

come to check out IV Soldiers new gallery space!!

Thursday, March 1, 2012



by Rena Silverman Feb 29, 2012

BOMB Magazine


For the closing exhibition party at the Frontrunner Gallery on a February 2nd, McConnell participated in a 13-minute staged piece with the Push Pops, a Bushwick-based performance group led by Katie Cercone and Elisa Garcia de la Huerta. According to their Go! Push Pops website, the Push Pops are a “radical, queer feminist art collective…geared towards engendering ‘Embodied Feminism’…[and] concerned with the expenditure and conservation of the self in relation to the Other.” Ms. Cercone and Ms. Garcia show this by adding a third libero member to vary each performance. On February 2nd, Bryn McConnell was that member.

Bryn McConnell performing with the Push Pops. Photo © Leah Overstreet and the Frontrunner Gallery.

Push Pop member. Photo © Leah Overstreet and the Frontrunner Gallery.

“The main thing I could contribute [to the collective] would be my concept,” says McConnell, who originally described the group as “Feminist Dada,” one that in performance “usually ends up getting aggressive or somehow a little bit explosive.”
The February performance took place against the back-drop of McConnell’s paintings. A triangle made of tape marked each of the girls’ places, where they walked out with scissors and chopped off pieces of each other’s clothes, drawing on each other’s faces with bright pink-red lipstick. At one point, McConnell, who was originally dressed in lacy black skirt, barely had more than a bra and rags on, while the other members had lipstick all over their faces.

The Push Pops. Photo © Leah Overstreet and the Frontrunner Gallery.

But somehow it worked. At times, the girls even looked like McConnell’s paintings had come to life.